Check out the video premiere of Swizz Beatz “Everyday (Coolin’)” featuring Eve. The glossy black and white clip features Lil Swizz and Diddy 2.0 busting some soon-to-be old school dance moves i.e. Harlem Shake. View the stylish video below.
Check out the video premiere of Swizz Beatz “Everyday (Coolin’)” featuring Eve. The glossy black and white clip features Lil Swizz and Diddy 2.0 busting some soon-to-be old school dance moves i.e. Harlem Shake. View the stylish video below.
Finally, the damn hot Danja-produced “Baby I Like It” by Kevin Cossom, featuring Fabolous and Diddy, has a video. The Colin Tilley-directed clip is exactly what it should be; lots of lighting and camera and effects that match the energy of the song. This is so very much a perfect club song.
In one of the bonus tracks from the Last Train to Paris project, Diddy has an entire song to himself in which he sings, from beginning to end. Has he ever done that before? Well, the song’s title is simply, “Change.”
Diddy actually has a nice tone and this a perfect case when a song is chosen to fit the voice of the singer. For sure, this is not a song we would want to hear live but its flow is almost hypnotizing.
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Back in October, news broke that Dirty Money tapped the iconic Grace Jones to appear on their Last Train to Paris LP. Well the album leaked a few hours ago making the final product available for listen. The collaboration entitled “Yeah Yeah You Would” is produced by Swizz Beatz.
Truthfully, are we a couple of simpletons or is there no involvement by Grace Jones in this song. We hear Dawn, Diddy and Kalenna and the hot production by Swizz Beatz. Maybe Jones will dance to the warped beat if there is a video or maybe she did some writing for the song. Oh well, the song is still really good.
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In what seems like almost half a decade, the release of of Dirty Money’s Last Train to Paris will be here on December 14. Amazon.com put the snippets up for preview. For an album that suffered pushback after pushback, is all the steam gone or did it make for a better album?
Being fair, you cannot properly judge an album based on the snippets but after listening through Last Train to Paris’… the album is only decent. It’s not average sounding which is great but it is not excellent either. Maybe the thoughts will change once the album is here in full. Listen after…
Kanye had Fridays, Timbaland claimed Thursdays and Swizz Beatz IS Monster Mondays. Today, he released the Diddy-Dirty Money “Ass On The Floor.” With a “Pon De Floor”-esque drum intro and gliding synthesizers, the song knocks pretty hard. Dawn and Kalenna are at the forefront in this song as Diddy is the less featured on the song.
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Still promoting their Last Train to Paris before its release, Dirty Money performed, for the first time, their single, “Coming Home,” at the 2010 American Music Awards. Alex Da Kid, who produced the song, got the chance to see it perform live, right in front of home. Thanks to the hook, originally performed by Skylar Grey, Dawn & Kalenna captivated the audience along with Diddy and had them waving their hands in the air.
In good news, Dirty Money’s Last Train to Paris is still holding on to its December 14 release date. Before the album drops another single is being sent to radios and this time Diddy and the girls are leaving the club behind for something a bit more introspective. “Coming Home” is produced by Alex Da Kid and written by Jay-Z. It also features up-and-comer Skylar Grey.
The song is a nice conquering tune. Diddy digs deeper than usual by mentioning his children and reflecting on other issues. You all better listen; it’s easier bein’ Puff than Sean.
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Over the past few days that we were missing a handful of videos premiered from some of today’s hottest artists.
First up is the Diane Martel-directed “Right Thru Me” lifted from Nicki Minaj’s Pink Friday. In the video, Minaj tones things down a great deal and is expressing her emotions to her lover, played by model Will Monfret.
Next up is Nelly’s video for the Marc Klasfeld-directed “Move That Body” featuring Akon and T-Pain. The single is lifted from 5.0. The video revolves around some urban underground setting with some sexy chicks battling it out.